Painterly Realism of a Football Player - Color Masses in the 4th Dimension

Petrograd, Galerie Dobychina, 0,10 (Zero-Ten). The Last Futurist Exhibition of Painting, December 19, 1915–January 19, 1916, cat. 40, as Painterly Realism of a Football Player—Color Masses in the 4th Dimension [installation photograph]. Moscow, Sixteenth State Exhibition, One-Man Exhibition, K. S. Malevich, opened March 25, 1920, no cat. [installation photograph (showing work hung in the reverse orientation)]. Warsaw, Polish Art Club, Exhibition of Kazimir Malevich, March 20-27, 1927, no cat. [installation photograph (showing work hung in the reverse orientation)]. Berlin, Grosse Berliner Kunstausstellung, Sonderausstellung Malevich, May 7–September 30, 1927 [installation photograph]. Amsterdam, Stedelijk Museum, First Showing of the Malevich Collection, December 1957–January 1958, no cat. Braunschweig Kunstverein, Malevich, February 16–March 16, 1958, cat. 23 (ill.), as Fußballmatch. Brussels, Palais des Beaux-Arts, Casimir Malevich (1878–1935), May 21–June 15, 1958, cat. 23, as Match de football. Boston, Institute of Contemporary Art, Paintings from the Stedelijk Museum, Amsterdam, January 7–February 4, 1959; traveled to Milwaukee Art Center, February 12–March 12, 1959; Columbus Gallery of Fine Arts, March 20–April 20, 1959; Minneapolis, Walker Art Center, April 27–May 24, 1959, cat. 47, as Football Match. London, Whitechapel Art Gallery, Kasimir Malevich, 1878–1935, October–November, 1959, p. 16, cat. 23. Humlebaek, Denmark, Louisiana Museum, Malevich, March 25–April 25, 1960, cat. 23 (ill.), as Fodboldkamp. Ulmer Museum, Malevich, October 1–29, 1961, no cat. Neue Galerie der Stadt Linz, Kasimir Malevich, 1878–1935, December 14, 1961–January 14, 1962; traveled to Vienna, Galerie Würthle, January 25–February 17, 1962, cat. 15, as Fußballmatch. Leverkusen, Städtisches Museum, Kasimir Malevich, March 10–April 1, 1962, cat. 15, as Fußballmatch. Winterthur, Kunstmuseum, Malevich, April 13–May 27, 1962, cat. 15 (ill.), as Fußballmatch. Kunsthalle Bern, Marcel Duchamp, Wassily Kandinsky, Kasimir Malewitsch, Josef Albers, Tom Doyle, October 23–November 29, 1964, cat. 15, as Fußballmatch. Stockholm, Moderna Museet, Inner and Outer Space: An Exhibition Devoted to Universal Art, December 26, 1965–February 13, 1966, cat. 35, as Parallellogram, purpur. New York, Solomon R. Guggenheim Museum, Kazimir Malevich, November 16, 1973–January 13, 1974; traveled to Pasadena Museum of Modern Art, January 28–March 25, 1974, no cat. Paris, Musée National d’Art Moderne, Malevich, March 14–May 15, 1978, p. 84, cat. 28, as Match de football. Washington D.C., Hirshhorn Museum and Sculpture Garden, Dreams and Nightmares: Utopian Visions in Modern Art, December 8, 1983–February 12, 1984, pp. 49, 50 (color ill.), 178, cat. 16, as Soccer Match. Tokyo, National Museum of Western Art, Space in European Art: Council of Europe Exhibition in Japan, March 28–June 14, 1987, p. 290–91 (color ill.), cat. 117, as Football Match. Leningrad, Russian Museum; Kazimir Malevich, November 10–December 18, 1988; traveled to Moscow, State Tretyakov Gallery, December 29, 1988–February 10, 1989; Amsterdam, Stedelijk Museum, March 5–May 29, 1989, pp. 47 (installation photograph), 134 (color ill.), 157 (installation photograph), 169 (installation photograph), 271, cat. 49, as Suprematism: Painterly Realism of a Football-Player, Color Masses of the Fourth Dimension. Washington, D.C., National Gallery of Art, Kazimir Malevich, 1878–1935, September 16–November 4, 1990; traveled to Los Angeles, Armand Hammer Museum of Art, November 28, 1990–January 1, 1991; New York, Metropolitan Museum of Art, February 7–March 24, 1991, pp. 75 (color ill.), 209, cat. 47, as Suprematism: Painterly Realism of a Football-Player, Color Masses of the Fourth Dimension. Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Europa, Europa: Das Jahrhundert der Avantgarde in Mittel und Osteuropa, May 27–October 16, 1994, vol. 1, pp. 138 (installation photograph), 152 (color ill.); vol. 2, p. 163, as Suprematismus: Fußballspieler. Berlin, Martin-Gropius-Bau, Die Epoche der Moderne Kunst im 20. Jahrhundert, May 7–July 27, 1997, p. 230 (color ill.), cat. 130, as Suprematismus: Malerischer Realismus eines Fußballspielers; translated as Christos M. Joachimides and Norman Rosenthal, eds., The Age of Modernism: Art in the Twentieth Century (Berlin: Zeitgeist-Gesellschaft; Ostfildern-Ruit: G. Hatje, 1997). New York, Solomon R. Guggenheim Museum, Kazimir Malevich: Suprematism, May 13–September 7, 2003; traveled to Berlin, Deutsche Guggenheim, January 14–April 27, 2003; Houston, The Menil Collection, October 3, 2003–January 11, 2004, p. 23 (installation photograph), 24 (color ill.), 25–26, 146 (color ill.), 253, 254 (installation photograph), 256 (installation photograph), as Suprematism: Painterly Realism of a Football-Player (Color Masses of the Fourth Dimension). New York, Solomon R. Guggenheim Museum, Malevich in Focus: 1912–1922, February 19–June 30, 2010, no cat. New York, Solomon R. Guggenheim Museum, The Geometry of Kandinsky and Malevich, July 9–September 7, 2010, no cat. New York, Malevich and the American Legacy, Gagosian Gallery, March 3–April 30, 2011, pp. 36-37 (installation photograph), 48-49 (color ill.), 52-53 (installation photograph), 176-77, 180, 181-82, 218-219 (installation photograph), 226-27 (installation photograph), 236 (color ill.). Basel, Fondation Beyeler, In Search of 0,10: The Last Exhibition of Futurist Painting, Oct. 4, 2015-Jan. 10, 2016, cat. 40 Art Institute of Chicago, Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test, October 29, 2017–January 15, 2018, cat. 94.