Painting Atlas
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106 paintings

  • Madame X (Virginie Amélie Avegno Gautreau)
    Madame X (Virginie Amélie Avegno Gautreau)
    John Singer Sargent
    1884 · Metropolitan Museum of Art
  • Penitent Magdalene
    Penitent Magdalene
    Caravaggio
    1593 · Galleria Doria Pamphilj
  • In the Summer
    In the Summer
    Pierre-Auguste Renoir
    1868 · Alte Nationalgalerie
  • Orphan Girl at the Cemetery
    Orphan Girl at the Cemetery
    Eugène Delacroix
    1824 · Department of Paintings of the Louvre
  • La Bella
    La Bella
    Titian
    c. 1536–1538 · Galleria Palatina
  • Gipsy Girl
    Gipsy Girl
    Frans Hals
    c. 1626 · Department of Paintings of the Louvre
  • Self-Portrait as the Allegory of Painting
    Self-Portrait as the Allegory of Painting
    Artemisia Gentileschi
    1630s–1638 · Royal Collection
  • Laura
    Laura
    Giorgione
    1506 · Kunsthistorisches Museum
  • Madonna and Child with Saint Anne
    Madonna and Child with Saint Anne
    Caravaggio
    1605 · Galleria Borghese
  • Magdalene with the Smoking Flame
    Magdalene with the Smoking Flame
    Georges de La Tour
    1640–1645 · Department of Paintings of the Louvre
  • Adele Bloch-Bauer II
    Adele Bloch-Bauer II
    Gustav Klimt
    1912 · private collection
  • Two Women at a Window
    Two Women at a Window
    Bartolomé Esteban Murillo
    c. 1655–1660–1670 · National Gallery of Art
  • Portrait of the Marchioness of Santa Cruz
    Portrait of the Marchioness of Santa Cruz
    Francisco Goya
    1805 · Museo del Prado
  • The Crystal Ball
    The Crystal Ball
    John William Waterhouse
    1902
  • The Penitent Magdalen
    The Penitent Magdalen
    Georges de La Tour
    c. 1625–1640 · Metropolitan Museum of Art
Painting Atlas

Ten thousand of the world’s best-known paintings, and where each one has been.

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SourcesWikidata (CC0), Wikimedia Commons, and the open-access programs of the Art Institute of Chicago, the Cleveland Museum of Art, the National Gallery of Art and The Metropolitan Museum of Art. Every fact links to its source.